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Artist Statements for previous series Artist Resume

To visit Paula Schuette Kraemer's website: http://www.opengatepress.com

Paula Schuette Kraemer 2011
	Good Day!! What in a day cheers you up? What provides balance when the news is negative, our to- do lists are long (and seemingly important) and life seems to be a series of tallies on what has been achieved? For me, it’s marveling at nature when it walks by or even confronts me head on. Such an experience is like a present that brings with it a special lesson, or even a sense of excitement; and there is the realization that I have received a small gift on that day. And so, this body of work is about appreciating the positives in a day. It’s about having a good day, a special day, and realizing the bright side of life. Symbols of reflection, like the knitter, the hammock, the candlesticks and the teacups refer to resting and contemplation. Tally marks, to-do lists, and calendars represent the obsessive aspects of our lives. A third set of word images have to do with manners and greetings, such as “please” and “thank you” and “good morning” etc. These portray appreciation as well as a conveyance of positive attitude to others. And then there are representatives from nature: trees, snow, moose, deer, mountain goat and birds. The various juxtapositions of all of these symbols set the stage for my message: look around you, realize what’s good and be thankful!! Paula Schuette Kraemer December 2011





Paula Schuette Kraemer, Another Sighting Every Time I see a Moose, 2011 Drypoint monoprint on paper with oil stick on mylar, 22 1/2" x 22 1/2" Unique piece


Paula Schuette Kraemer, Greetings, 2011, Intaglio and drypoint 22 1/2" x 22 1/2" Edition of 20


Paula Schuette Kraemer, Red Deer Line, 2011, Intaglio and drypoint 22 1/2" x 22 1/2" Edition of 20


Paula Schuette Kraemer, On a Winter's Day, 2011 Soft ground etching on rice paper over monotype, 22 1/2" x 22 1/2" Unique piece


Paula Schuette Kraemer, Roasting Marshmallows with Manners, 2011 Drypoint and Monotype, 22 1/2" x 22 1/2" Edition of 20


Paula Schuette Kraemer, Deer Path , 2011 Monotype with graphite on mylar overlay, 22 1/2" x 25" image Unique piece


Paula Schuette Kraemer, Deer Line, 2011 Monotype with graphite on mylar overlay, 22 1/2" x 22 1/2" Unique piece


Paula Schuette Kraemer, Dusk, 2011 Oil stick on mylar over intaglio, 22 1/2" x 22 1/2" Unique piece


Paula Schuette Kraemer, A Two Deer Day, 2011 Drypoint and Intaglio, 22 1/2" x 22 1/2"


Paula Schuette Kraemer, Calming Down , 2011 Drypoint with oil stick on mylar, 22 1/2" x 22 1/2"


Paula Schuette Kraemer, Pleased to Meet You, 2011 Drypoint and Intaglio, 22 1/2" x 22 1/2" Above as framed; below image only

2010 Milestones Series - Baby's First Year

Kraemer, Toys At Rest

Kraemer, Milestones I

Kraemer, Milestones II

Kraemer, Trying to Stand

Frame detail

Paula Schuette Kraemer, Walking

Paula Schuette Kraemer, Airplane : 23 3/4" x 18 3/4"

Paula Schuette Kraemer,

. 2009 Exhibit

View of the right side of the Featured Exhibit area from the front of the gallery. Far right: Winter Moose I, II, III (Drypoint Monotype Monoprints) Center wall: Catching the Butterflies & Letting the Butterflies Go (Dry point & Monotype) Back area: The Leash Series I-VI (Monotype Soft ground & Photogravure)

View of the back-right side of the Featured Exhibit area from the front of the gallery. The Leash Series (Monotyoe, Soft ground and photogravure) and some from the Butterfly Series (Drypoint & Monotype)
A View of the end wall of the Featured Exhibit Area - 4 Photogravure & liftground etchings


Back-Left side of the Featured Exhibit Area - 4 Moose Drawings

Left side of the Featured Exhibit Area

Left side of the Featured Exhibit Area Below: Views of the corner pieces


Above left top: Free!, Drypoint and spit-bite etching Above left bottom: Fluttering, Drypoint & Chinr Colle Above right: Thoughts, Drypoint and soft ground etching

The Moose


Left: Winter Moose I, 2008, Drypoint Monoprint, paper 48" x 36" Center: Winter Moose II, 2008, Drypoint Monoprint, paper 48" x 36" Right: Winter Moose III, 2008, Drypoint Monoprint, paper 48" x 36"


Winter Moose I, 2008, Drypoint Monotype & Monoprint, paper 48" x 36", frame: 57" x 44 1/4"

Winter Moose II, 2008, Drypoint Monotype & Monoprint, paper 48" x 36", frame: 57" x 44 1/4"


Winter Moose III, 2008, Drypoint Monotype & Monoprint, paper 48" x 36", frame: 57" x 44 1/4"


Looking at Me, 2008, Drawing:Oilbar and Graphite on Mylar,


First Moose, 2008, Drawing: Oilbar and Graphite on Mylar


Standing Still, 2008, Drawing: Oilbar and Graphite on Mylar


Meeting, 2008, Drawing: Oilbar and Graphite on Mylar


Moose in the Trees in the Snow , 2008, Drawing: Oilbar and Graphite on Mylar


Going By the Moose, 2008, Photogravure and Straw-hat Etching


Inside Moose, 2008, Photogravure and Straw-hat Etching


A Visitor, 2008, Photogravure and Straw-hat Etching


Changing the Story, 2008, Photogravure and Straw-hat Etching

The Butterflies



Paula Schuette Kraemer, Fluttering, Drypoint & Chine Colle, 2007, 8" x 9 3/4"


Paula Schuette Kraemer, Free!, Drypoint & Spit-bite Etching & Chine Colle, 2007, 7 3/4" x 9 3/4"


Paula Schuette Kraemer, Thoughts, Drypoint & Soft-ground Etching & Chine Colle, 2007, 8 5/8" x 7 7/8"


Paula Schuette Kraemer, Where The Butterflies Come From, Drypoint Monoprint and Monotype, 2007,17 3/4" x 17 3/4"

Paula Schuette Kraemer, Catching The Butterflies, Drypoint Monoprint, Monotype, 2007, 31" x 22 1/2"


Paula Schuette Kraemer, Letting The Butterflies Go, Drypoint Monoprint, Monotype, 2007, 31" x 22 1/2"


Paula Schuette Kraemer, Exchanging Butterflies, Drypoint and Monotype, 2007, 22 1/2" x 30 3/4"


Paula Schuette Kraemer, It'll Be O.K.,Drypoint and Monotype, 2007, 23 1/4" x 22 1/4"


Paula Schuette Kraemer, Release, 2007, Drypoint and Monotype,2007, 23 1/4" x 22 1/2"


Paula Schuette Kraemer, Leaves For The Old Tree, 2007, Photogravure, & Drypoint and Monotype on Silk, 23 1/4" x 22 1/2"


Paula Schuette Kraemer, All Done!, Mixed media, Oil-bar on mylar, Drypoint on Rice Paper, 2007, 18" x 17 3/4"


Paula Schuette Kraemer, Too Many Butterflies!, Drypoint Monoprint, 2007, 15" x 14 3/4"


The Leash - A Suite of Six Prints

Paula Schuette Kraemer, The Leash I, Photogravure, Soft ground etching, & Monotype, 2008,image: 18" x 13", walnut frame: 23 3/4" x 18 3/4"

Paula Schuette Kraemer, The Leash II, Photogravure, Soft ground etching, & Monotype, 2008,image: 18" x 13", walnut frame: 23 3/4" x 18 3/4"


Paula Schuette Kraemer, The Leash III, Photogravure, Soft ground etching, & Monotype, 2008,image: 18" x 13", walnut frame: 23 3/4" x 18 3/4"


Paula Schuette Kraemer, The Leash IV, Photogravure, Soft ground etching, & Monotype, 2008,image: 18" x 13", walnut frame: 23 3/4" x 18 3/4"


Paula Schuette Kraemer, The Leash V , Photogravure, Soft ground etching, & Monotype, 2008,image: 18" x 13", walnut frame: 23 3/4" x 18 3/4"


Paula Schuette Kraemer, The Leash VI, Photogravure, Soft ground etching, & Monotype, 2008,image: 18" x 13", walnut frame: 23 3/4" x 18 3/4"


Paula Schuette Kraemer

Prints and Drawings
























Left: Paula Schuette Kraemer, Waiting, Drypoint and Monoprint, 1999, 24" x 36" Right: Paula Schuette Kraemer, Petting My Old Dog, Drypoint Monotype - Blue Tone On Collar, 2000, 23 1/4" x 35 5/8"


Right: Paula Schuette Kraemer, Serenade In The Yard, Mixed Media. 2006, 22 1/4" x 22 1/4"


Left: Paula Schuette Kraemer, Whoo-oohoo, hoo, hoo, Drypoint, 2006, 22 1/4" x 22 1/4" Right: Paula Schuette Kraemer, Mourning In The Spring, Drypoint Monoprint and Monotype, 2006, 22 1/4" x 22 1/4"


Paula Schuette Kraemer, Bird Gathering, Drypoint, Monotype, Monoprint, 36" x 48"

Paula Schuette Kraemer, Sugar Water Diet, Drypoint Monoprint,& Monotype, 17 7/8" x 24"

Paula Schuette Kraemer, Hold Still, Drypoint Monoprint,& Monotype, 23 7/8" x 38"

Paula Schuette Kraemer, Where The Butterflies Come From, Drypoint Monoprint and Monotype, 2007,17 3/4" x 17 3/4"


Paula Schuette Kraemer, Catching The Butterflies, Drypoint Monoprint, Monotype, 2007, 31" x 22 1/2"


Paula Schuette Kraemer, Letting The Butterflies Go, Drypoint Monoprint, Monotype, 2007, 31" x 22 1/2" Detail Above Right


Paula Schuette Kraemer, Exchanging Butterflies, Drypoint and Monotype, 2007, 22 1/2" x 30 3/4"


Paula Schuette Kraemer, It'll Be O.K.,Drypoint and Monotype, 2007, 23 1/4" x 22 1/4"


Paula Schuette Kraemer, Release, 2007, Drypoint and Monotype,2007, 23 1/4" x 22 1/2"


Paula Schuette Kraemer,The Old Tree, 2007, Photogravure, 23 1/4" x 22 1/2"




Paula Schuette Kraemer,
Spending Time, 2007, Mixed Media, 22 1/2" x 22 1/4"	Watching the Dog, 2007, Mixed Media,17 3/4" x 17 3/4"


Paula Schuette Kraemer, Big Things Little Things


Paula Schuette Kraemer
Grocery List,	Looking Down,


Paula Schuette Kraemer
On The Ground,	Quick Move,


Paula Schuette Kraemer, Scratching, 2007, Mixed Media, 22 1/4" x 22 1/4"


Paula Schuette Kraemer, Running I, 2007, Mixed Media, 22 1/2" x 22 1/4"


Paula Schuette Kraemer, Running Off the Page, 2007, Mixed Media, 22 1/2" x 22 1/4"

Artist Statement

On her work: FROM OPEN GATE PRESS

These prints and drawings were created by artist Paula Schuette Kraemer at her own press, Open Gate Press, located in Madison, Wisconsin. Paula attended Vassar College and the University of Wisconsin -Madison, where she earned a Bachelor of Arts and a Master of Arts in printmaking and ceramics. As her work has evolved, the use of symbols has always been apparent in her attempt to portray the world around her. One image, the open gate, has reappeared three or four times in the past 16 years; and with each occurrence, this symbol has taken on a slightly different meaning. At first it was an obstruction, then the challenge of a choice to make. Later it showed a
passage of time and the fact that someone or something was missed. Most recently it has reappeared to represent the boundary between our hectic existence and the calm of nature. Always, the gate has represented a current side, and another future side. It somehow refers to moving on, to change and to keeping at life. As art has been the most common thread in Schuette's life and as it has given her the impetus to adapt to change and to keep proceeding forward, it is appropriate that her press be named "Open Gate Press".

The pieces represented here are, in one sense, very autobiographical, as they follow subjects close to the artist's life. And yet, nostalgia for past times, love of one's pets, anticipation of the future and desire for calm are also themes common to everyone's experiences, and it is the intent of the artist that they be viewed as both personal and universal comments on life.

Typically, Paula is known for her drypoint monoprints and monotypes. Her drawing style translates well into the linear immediacy and spontaneity that is achieved with drawing directly into a copper plate with an etching needle. During the actual printing process, she intentionally leaves some surface ink and often smears, wipes and draws into that residue ink. This is what qualifies the artworks as drypoint monoprints and monotypes. The prints within
each edition do vary and yet the image, the color and the composition remain constant within each edition. These editions are small because so much creative time is spent during the actual printing process.

Some drawings on mylar have been included in this show as they are a natural extension of the way a printmaker thinks in layers. In most cases, there is a monoprint underneath the mylar and then drawing is superimposed on top of that. The ability to see through one layer drawing to another beneath creates a richness of imagery as well as meaning. This same process of superimposing a color, or a line or an image over another is exactly the way in which Schuette resolves her prints before the editioning stage. It is an excellent trial and error tool for seeing
what visually works.

Many prints are made up of several printmaking and mixed media techniques. The image underneath is printed by the chine colle' process onto rice paper, which has been adhered to regular cotton rag paper. Sewn on top of that is a second etching, which has been printed on silk, immersed in a colored encaustic wax and then ironed. The resulting layering of imagery creates not only a sense of lightness and calm, but of movement.

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Paula Schuette Kraemer - Artist Statements December 2008

The Moose

Witnessing the strength and majesty of nature is amazing; and, coming across a moose in the wild definitely falls into this category! It is not easy to forget a huge, black furry animal calmly standing in the forest as you move by. It's a positive, exhilarating time never to be forgotten. The actual event is private, between you and the animal. It becomes his and your encounter, but afterwards it seems especially important to tell your story to others. Is it actually sharing to spread the good news that such things exist, or is it bragging, or does it make you someone special? For whatever reason, the image stays with you as you tell and retell about your own unique experience. Sometimes the story is as simple as,'' I saw a moose today". Other times, it is embellished or the details change: 'iI saw four moose," when it was only three, or "He was heading south," when it was really north. The old 'fish story' told with a different twist.
So, last winter I saw 13 moose and that's the truth! It was definitely worth telling and retelling the story.

The Butterflies

More and more we attribute difficulties in our lives to anxieties. They are usually made up of anticipations for the future, whether they are fears of uncomfortable situations or simply the to-do list looming out there every day. It used to be called "getting the butterflies" when we were nervous about an upcoming issue or event. They flutter around inside of our stomachs, noticeably making us uncomfortable. With this condition, we are lacking our abilities to be confident, clear thinking and happy about our situation.

I have always 'gotten the butterflies' and my artwork has always helped solve life situations for me, so I decided to turn a negative subject, anxiety, into a positive image. Butterflies can be captured, or confined, and they can be released, one at a time. The same is true for anxieties: They can be dealt with and quelled, one at a time.

The Leash Prints

Have you ever worked with a puppy teaching him how to obey and walk on a leash? That's really all this suite of prints is about. Milo, the chocolate lab, is a dog with character and attitude. These prints are about his reaction to an outside force: me, the dog walker.

The Birds - Statement 2006

Where the Sound Is Coming From

My art has always been autobiographical as I have endeavored to portray the up's and down's of life. Humor, as well as melancholy, is often incorporated to instruct myself, and all of us, about the paradoxes of our existence. Loss and the fast pace of life are two themes that seem to keep cropping up in my work and in this show they are melded together. These works are all about my father's passing away and my trying to find the time to grieve.

The symbolic imagery used in these pieces can be found in my other works as well. The gate has to not only do with loss or departure, but also with going on and what's on the other side. Tree branches are about being up high and looking down at us silly humans as birds and animals often do.
The "to-do" lists are constantly buzzing in my mind as I attempt to clear the trivia of my life in order to find time for what's really meaningful. The hammock is the calm image which is about stopping and resting. And the flowers are about the potential for rejuvenation.

Lastly, the significance of the bird: since I was a little girl, I have associated the unique call of the mourning dove with my father's childhood home where I now live. Years ago when I would visit my grandparents, I would hear its haunting cry, but I didn't know what it was or where it came from. It would make me stop and listen for a moment and it was comforting. As my ornithological knowledge expanded, I learned that this was the mourning dove's call. Humorously enough, I always thought of the spelling of the bird's name as "morning dove" as I would often hear the sound when first awaking. I will admit that only recently did I learn that this bird is really named for its mournful call. To me, that call can be distinctively heard above all others. If we stop to listen to this constant repetition of the same sad cry, it is peaceful. The sound is both clear and a calming, but how often do we actually take the time to let its song
speak to us?

Paula Schuette Kraemer

Artist Resume 2011

PAULA SCHUETTE KRAEMER

EDUCATION

Vassar College 1966-68
University of Wisconsin – Madison 1968-70, B.S. in Art
University of Wisconsin – Madison 1970-71, M.A. in Printmaking & Ceramics
Extensive travel and study in the Mediterranean 1971-74
Crown Point Press Etching Workshop- San Francisco, California, 2007

EXHIBITIONS

Beloit and Vicinity Show, Beloit, Wisconsin - 1983, 1988, 1991, 1992, 1993, 1994
Paper: "Interpretations", Bergstrom Museum, Neenah, Wisconsin -1984
1984 Wisconsin Biennial, Madison Art Center, Madison, Wisconsin
One Man Show, Wisconsin Academy of Sciences Arts & Letters, Madison, Wisconsin - 1986
"The Intelligent Monoprint", Miriam Perlman Gallery, Chicago, Illinois -1986
"Gallery Printmakers", Olson-Larsen Galleries, Des Moines, Iowa -1987
1988 Commemorative Artist for WHA-TV, Madison, Wisconsin
Paula Schuette Anderson and Dagny Quisling Myrah, "New Work", Grace Chosy Gallery, Madison, Wisconsin - 1988
Recent Work from Dane County, Madison Art Center, Madison, Wisconsin -1988
Paula Schuette Anderson & Myrth Schuette, "Recent Work", Mimzi/Ross Gallery, Davenport, Iowa -1989
"Wisconsin Biennial 1989", Rahr-West Art Museum, Manitowoc, Wisconsin
"Wisconsin ‘89" and "Wisconsin '91", Edna Carlsten Gallery, University of Wisconsin, Stevens Point, WI
"Shelter Series", Olson-Larsen Galleries, Des Moines, Iowa -1990
"Women Printmakers", Waterloo Museum of Art, Waterloo, Iowa -1991
"1991 Wisconsin Artists' Biennial", Patrick & Beatrice Haggerty Museum, Marquette University, Milwaukee, Wisconsin
Paula Schuette Kraemer "Drypoint Monoprints", Grace Chosy Gallery, Madison, Wisconsin -1991
The Peltz Gallery, Milwaukee, Wisconsin - 1992, 1994, 1995, 1996
Paula Schuette Kraemer, "New Work", Olson-Larsen Galleries, Des Moines, Iowa - 1992
"Outstanding American Prints", Anderson Arts Center, Kenosha, Wisconsin - 1993
Paula Schuette Kraemer, "Home", Grace Chosy Gallery, Madison, Wisconsin - 1993
"A Personal Perspective", Jura Silverman Gallery, Spring Green, Wisconsin - 1995
"Summer Gardens", Suzanne Kohn Gallery, Minneapolis, Minnesota -1995
"Summer Invitational Show", Olson-Larsen Galleries, Des Moines, Iowa -1995
Paula Schuette Kraemer, "Changing Seasons", Suzanne Kohn Gallery, Minneapolis, Minnesota -1995
Holiday Exhibition, Olson-Larsen Galleries, Des Moines, Iowa - 1995, 1997-2001, 2003, 2005
"Trees or Tulips?”, One Person Show at the Wisconsin Academy of Sciences, Arts & Letters,
Madison, Wisconsin - 1996
Featured Artist, Edgewood Orchard Galleries, Fish Creek, Wisconsin - 1996
Paula Schuette Kraemer and Jane Marshall, "Recent Work", Grace Chosy Gallery, Madison, WI - 1996
“Red”, Grace Chosy Gallery, Madison, Wisconsin - 1997
“150 Years of Wisconsin Printmaking”, Elvehjem Museum of Art, University of Wisconsin, Madison - 1998
Paula Schuette Kraemer and Marylin Hart, “New Work”, Grace Chosy Gallery, Madison, Wisconsin - 1999
“Printmakers Show”, Olson-Larsen Galleries, Des Moines, Iowa - 1999
“McNeese National Works on Paper”, McNeese State University, Lake Charles, Louisiana - 1999
“1999 Wisconsin Triennial”, Madison Art Center, Madison, Wisconsin
“From a Matrix - Wisconsin Women Printmakers”, Quad/Graphics, Sussex, Wisconsin - 2000
“Printwork ‘2K”, Barrett Art Center, Poughkeepsie, New York – 2000
“Art /A Family Vocation”, Grace Chosy Gallery, Madison, Wisconsin - 2001
“Paula Schuette Kraemer, Drypoint Monopoints”, Hibberd-McGrath Gallery, Breckenridge, CO– 2001
“For the Love of Dogs”, Tercera Gallery, San Francisco, California - 2002
“The Trolly Car Show”, Group Show at Gallery 1911, Fort Wayne, Indiana – 2002
Paula Schuette Kraemer, “Where It’s Quiet”, Mixed Media Drawings and Monoprints,
Grace Chosy Gallery, Madison, Wisconsin – 2002
“From Open Gate Press”, Quad/Graphics, Inc. Corporate Headquarters, Sussex, Wisconsin – 2003
Paula Schuette Kraemer, “Where It’s Quiet”, Groveland Gallery, Minneapolis, Minnesota - 2003
“NEW PRINTS 2004/Winter”, International Print Center New York, New York City
“Birds and Animals”, Prints and Drawings, Elaine Erickson Gallery, Milwaukee, Wisconsin – 2004
“DOGS!” , Grace Chosy Gallery, Madison, Wisconsin – 2004
“A Decade of Art from the Wisconsin Academy Gallery”, Wisconsin Academy Gallery,
Madison, Wisconsin -September 2004
“Squirrels !!! ”,Grace Chosy Gallery ,Madison, Wisconsin-December 2004
“Squirrels II”, Hibberd-McGrath Gallery, Breckenridge, Colorado, July 2005
Groveland Galleries Holiday Show, Minneapolis, Minnesota, 2005, 2006, 2007
UW Printmaking Graduates”, University of Wisconsin Memorial Union, Madison, Wisconsin – 2006
“Birds by a Baker’s Dozen”, Grace Chosy Gallery, Madison, Wisconsin, 2006
“April Show”, Olson-Larsen Galleries, Des Moines, Iowa, 2007, 2008
“Butterflies”, Hibberd /McGrath Gallery, Breckenridge, Colorado, 2007
“Birds”, Olson-Larsen Galleries, Des Moines, Iowa, 2007
“2008 Prints”, Grace Chosy Gallery, Madison, Wisconsin, 2008
“Images of Winter”, Hibberd/McGrath Gallery, Breckenridge, Colorado, 2008
“Works on Paper”, Olson- Larsen Galleries, Des Moines, Iowa, 2009
“On a Walk”, Hibberd/McGrath Gallery, Breckenridge, Colorado, 2009
2009 Tandem Press Wine Auction Print Artist, Madison, Wisconsin
“The Toy Show”, Grace Chosy Gallery, Madison, Wisconsin 2010
“Paper in Particular”, Columbia College, Columbia, Missouri, 2011
“1 x 1” = $200”, Groveland Gallery, Minneapolis, Minnesota, 2011
“Red, White and Blue”, Groveland Gallery, Minneapolis, Minnesota, 2011
“Paula Schuette Kraemer: New Work”, Olson-Larsen Galleries, Des Moines, Iowa 2011
“Three Artists”, Grace Chosy Gallery, Madison, Wisconsin, 2011

PERMANENT COLLECTIONS

Cuna Mutual, Madison, Wisconsin
Farm Bureau Insurance, Des Moines, Iowa
Hallmark Corporation, Liberty, Missouri
Heritage Insurance Corporate Headquarters, Franklin Park, Illinois
Hospice Care, Inc., Madison, Wisconsin
The Kartridg-Pak Company, Davenport, Iowa
Madison Newspapers, Inc., Madison, Wisconsin
The Miller Brewing Company, Milwaukee, Wisconsin
Madison Museum of Contemporary Art, Madison, Wisconsin
Mendota Mental Health Institute, Madison, Wisconsin
Pioneer Hi-Bred International, Des Moines, Iowa
Pleasant Company, Middleton, Wisconsin
Prudential Life Insurance Company, Minneapolis, Minnesota
Quad Graphics, Sussex, Wisconsin
RTE Corporation, Brookfield, Wisconsin
Region’s Hospital, St. Paul, Minnesota
Sprint, Kansas City, Missouri
3M Corporation, St. Paul, Minnesota
University of Iowa Hospitals, Iowa City, Iowa
University of Wisconsin Hospitals, Madison, Wisconsin
University of Wisconsin - Marathon Center, Wausau, Wisconsin
University of Wisconsin School of Veterinary Medicine – Madison, Wisconsin
University of Wisconsin Student Union Collection, Madison, Wisconsin
Vail Resorts Inc., Vail, Colorado
Waterloo Museum of Art, Waterloo, Iowa

GALLERIES REPRESENTING WORK

Grace Chosy Gallery, Madison, Wisconsin
Groveland Gallery, Minneapolis, Minnesota
Hibberd-McGrath Gallery, Breckenridge, Colorado
Integrated Art Group, Evansville, Wisconsin
The Olson-Larsen Galleries, Des Moines, Iowa

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